Pop Rock R&B Volume 1 - AUDIO SAMPLING CD
Complete Track Listing
99 tracks featuring electric pianos, organs, strings, brass, bass,
guitars, drums and much more, plus 20 killer hip-hop beat loops.
All individual sounds taken from our world renowned sound libraries
for Korg, Roland, Yamaha, and others!
Tracks 1-20
consist of 2-bar R&B/hip-hop beat loops.
The tempos of each of these are indicated with the track listings on the
inside of the booklet.
| 1
| rap loop 1 80 bpm
| 2
| rap loop 2 80 bpm
|
| 3
| rap loop 3 82 bpm
| 4
| rap loop 4 83 bpm
|
| 5
| rap loop 5 85 bpm
| 6
| rap loop 6 86 bpm
|
| 7
| rap loop 7 89 bpm
| 8
| rap loop 8 90 bpm
|
| 9
| rap loop 9 93 bpm
| 10
| rap loop 10 94 bpm
|
| 11
| rap loop 11 94 bpm
| 12
| rap loop 12 95 bpm
|
| 13
| rap loop 13 95 bpm
| 14
| rap loop 14 95 bpm
|
| 15
| rap loop 15 96 bpm
| 16
| rap loop 16 102 bpm
|
| 17
| rap loop 17 102 bpm
| 18
| rap loop 18 104 bpm
|
| 19
| rap loop 19 108 bpm
| 20
| rap loop 20 110 bpm
|
Tracks 21-28
contain between 8-20 drum samples each, many sampled with stereo effects.
| 21
| 01 drums
| 22
| nihilist drums
|
| 23
| dual element drums 1
| 24
| dual element drums 2
|
| 25
| rcm kicks
| 26
| hip-hop kit 1
|
| 27
| hip-hop kit 2
| 28
| 808 kit
|
Tracks 29-98
consist of single instrument sounds taken from Sound Source
Interactive’s sound libraries for today’s finest instruments. Each
track consists of 5 octaves of the note C. This is done so that you may
take multiple samples throughout the range of any given sound for
maximum reealism. Obviously, many instruments do not have this large of
a range, but a 5-octave cycle was maintained for reasons of consistency
as well as to provide the user with increased creative possibilities.
| 29
| analog bass
| 30
| bridge cable bass
|
| 31
| taurus bass
| 32
| nu slapper bass
|
| 33
| synbass
| 34
| pwm bass
|
| 35
| octave rez bass
| 36
| fretless bass
|
| 37
| digibass
| 38
| MKS-20 rhodes
|
| 39
| S-330 piano
| 40
| bright piano
|
| 41
| beauty pad
| 42
| classic DX rhodes
|
| 43
| fat warm rhodes
| 44
| B-3/1
|
| 45
| B-3/2
| 46
| B-3/3
|
| 47
| B-3/4
| 48
| B-3/5
|
| 49
| B-3/6
| 50
| B-3/7
|
| 51
| B-3/8
| 52
| B-3/9
|
| 53
| farfisa organ
| 54
| clavinet D6
|
| 55
| phased clavinet
| 56
| brass section
|
| 57
| super brass
| 58
| synth brass
|
| 59
| blue sax
| 60
| clarinet
|
| 61
| tenor sax
| 62
| alto sax
|
| 63
| solo trumpet
| 64
| harmonica
|
| 65
| huge hit
| 66
| hugeness too
|
| 67
| toto brass
| 68
| synth comp
|
| 69
| synth stab 1
| 70
| synth stab 2
|
| 71
| splat brass
| 72
| hi comp strings
|
| 73
| justify strings
| 74
| hi smooth strings
|
| 75
| rosin strings
| 76
| silky strings
|
| 77
| giant strings
| 78
| pluck string layer
|
| 79
| shaku-string
| 80
| orchestral string/bells
|
| 81
| choral string layer
| 82
| solo violin
|
| 83
| solo viola
| 84
| solo cello
|
| 85
| solo contrabass
| 86
| bright strings
|
| 87
| octave pizzacato
| 88
| boogie crunch
|
| 89
| power chord
| 90
| acoustic steel-string
|
| 91
| 12-string acoustic
| 92
| acoustic/electric
|
| 93
| vintage tele
| 94
| nylon-string acoustic
|
| 95
| banjo
| 96
| grand harpsichord
|
| 97
| male/female choir
| 98
| orchestra hits
|
Track 99
consists of 3 reference tones which may be used to set a
nominal input level on the sampler to be used. These are 30 seconds
each at 100 Hz, 10kHz and 10 khz. These may also be used as alignment
tones for analog recording equipment.
| 99
| reference tones- 100Hz, 10kHz, 10khz
|