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Sound Source Volume 2 - Sonic Textures



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CDA-0009 $19.95
 


Sonic Textures Volume 1 - AUDIO Sampling CD

Complete Track Listing

60 minutes of swirling, atmospheric, textural pads, gentle ambient washes, and subtle mood-inducing effects layered to perfection. All 16-bit multi-sampled, top quality sounds taken from Sound Source's extensive sound libraries.

Track# Description Track# Description
1 anadream 2 bassrave
3 bellhoper 4 chordance
5 deepstream 6 entranced
7 hell and back 8 quasarama
9 cycles 10 dreamers
11 freddy’s dream 12 lushstrings
13 mellotron 14 scanners
15 serge 16 south pole
17 vectoring 18 wasbuzz
19 waves 20 machine
21 monstropithitcus 22 radiovox
23 xovoidar 24 creepers
25 adrift 26 airplanes
27 alterkit 28 asr diver
29 buzzyswirl 30 martian subway
31 movector 32 police chase
33 st.petersburg 34 waveshaper
35 industrious 36 torturetech
37 prophecy 38 rising soul
39 aglessen 40 sound fx
41 frozen snow 42 isolate
43 last look 44 clouds
45 tremwire 46 omniwire
47 printthrough 48 clanger
49 always low 50 spectre
51 chromes 52 wavestep
53 inharmonic 54 low sky saw
55 five cycle 55 sioux nation
57 azurium 58 millenium
59 satan’s lair 60 dimension
61 coma themes 62 jupiter fright
63 orchestral fx 64 behind the door
65 band saw 66 ladder rungs
67 spacey 68 twin peaks
69 strange hammers 70 100 khz test tone
71 1 khz test tone 72 10 khz test tone

All tracks consist of 5 octaves of the note C with the exception of tracks 65-68--these sounds had little or no transposition throughout their range. Due to the greatly varying nature and tonal qualities of the sounds in this collection, the length of the samples in each track will vary. However, each note within a given track will always have the same duration. As a rule, we insured that the note durations were always long enough to allow the full spectrum of a sound to develop.

Tracks 70, 71 & 72 consist of reference sine-wave tones at the frequencies of 100 HZ, 1000 kHz and 10 kHz respectively, and may be used to set a nominal input gain level on the sampler you are using. They may also be used as alignment tones for calibrating analog recording equipment.





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